Ebook The Shipment and Lear, by Young Jean Lee
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The Shipment and Lear, by Young Jean Lee
Ebook The Shipment and Lear, by Young Jean Lee
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Review
The Shipment“Lee is a facetious provocateur; that is, she does whatever she can to get under our skin—with laughs and with raw, brutal talk…Lee makes her audience walk a knife’s edge of race and meaning. How does blackness sound? And how have we been conditioned to hear black speech?...This is so ingenious a twist, such a radical bit of theatrical smoke and mirrors, that, in rethinking everything that has come before…we are forced to confront our own preconceived notions of race. And to agree with Lee that we may not live long enough to purge ourselves of them.” –Hilton Als, New Yorker“[The Shipment explores] just how much skin color continues to frame the way we see each other—even in a post-race, Barack Obama-electing America. It’s an early example of what will hopefully be an avalanche of smart, fearless work that brings the same fresh feel to the artistic conversation about race that is said to imbue today’s politics." -Kai Wright, The Root“The Shipment is f***ing brilliant.” –B.B. Yates, Exeunt MagazineLEAR“In LEAR, Young Jean Lee’s self-described ‘inaccurate distortion’ of the classic, she banishes the title monarch and Gloucester to the wings and focuses on the younger generation…The absurdist, meta-Shakespearean results are by turns irreverent, grotesque and morally harrowing…Lee is one of the most vital, rewarding playwrights to arrive on the scene in the past decade. LEAR has power and ought to endure.” –David Cote, TimeOut New York“Lee uses King Lear and some beautifully unconventional additions to flesh out Shakespeare’s themes of loneliness, mortality and filial responsibility in gratifying and moving depth.” –Sam Thielman, Variety “Young Jean’s LEAR is Shakespeare’s rotated in four-dimensional space to reveal what is lost in most productions (ghastly, sentimental parodies for the most part—Bard shibboleths): the cold, hard claims of nothingness—the implacable something/nothing out of which we all come, and into which we vanish without a trace. The simple power of the work is terrific, often sardonic, always relentless; LEAR is certainly Lee’s best work yet.” –Mac WellmanThe Shipment“Lee is a facetious provocateur; that is, she does whatever she can to get under our skin―with laughs and with raw, brutal talk…Lee makes her audience walk a knife’s edge of race and meaning. How does blackness sound? And how have we been conditioned to hear black speech?...This is so ingenious a twist, such a radical bit of theatrical smoke and mirrors, that, in rethinking everything that has come before…we are forced to confront our own preconceived notions of race. And to agree with Lee that we may not live long enough to purge ourselves of them.†–Hilton Als, New Yorker“[The Shipment explores] just how much skin color continues to frame the way we see each other―even in a post-race, Barack Obama-electing America. It’s an early example of what will hopefully be an avalanche of smart, fearless work that brings the same fresh feel to the artistic conversation about race that is said to imbue today’s politics." -Kai Wright, The Root“The Shipment is f***ing brilliant.†–B.B. Yates, Exeunt MagazineLEAR“In LEAR, Young Jean Lee’s self-described ‘inaccurate distortion’ of the classic, she banishes the title monarch and Gloucester to the wings and focuses on the younger generation…The absurdist, meta-Shakespearean results are by turns irreverent, grotesque and morally harrowing…Lee is one of the most vital, rewarding playwrights to arrive on the scene in the past decade. LEAR has power and ought to endure.†–David Cote, TimeOut New York“Lee uses King Lear and some beautifully unconventional additions to flesh out Shakespeare’s themes of loneliness, mortality and filial responsibility in gratifying and moving depth.†–Sam Thielman, Variety “Young Jean’s LEAR is Shakespeare’s rotated in four-dimensional space to reveal what is lost in most productions (ghastly, sentimental parodies for the most part―Bard shibboleths): the cold, hard claims of nothingness―the implacable something/nothing out of which we all come, and into which we vanish without a trace. The simple power of the work is terrific, often sardonic, always relentless; LEAR is certainly Lee’s best work yet.†–Mac Wellman
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About the Author
Young Jean Lee is the founder of the Young Jean Lee's Theater Company where she directs her own work. She has been invited to tour venues in Vienna, Hanover, Berlin, Switzerland, Brussels, Norway, France, Rotterdam, Portland, Seattle, Columbus, Pittsburgh and Minneapolis. She is the recipient of a 2007 Emerging Playwright OBIE Award.
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Product details
Paperback: 96 pages
Publisher: Theatre Communications Group; First Edition edition (August 17, 2010)
Language: English
ISBN-10: 9781559363563
ISBN-13: 978-1559363563
ASIN: 1559363568
Product Dimensions:
5 x 0.2 x 8 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#535,955 in Books (See Top 100 in Books)
I bought this as a gift and the recipient loved it! (It WAS on her wish list, though :)) I do not know any details about this item personally.
I bought this book for college level english class. More specifically LEAR. Young Jean Lee is a brilliant playwrite, and anyone who reads this book is sure to enjoy it.
A good way of approaching certain social concepts, but just not entertaining.
great
Young Jean Lee's writing is totally unexpected, thought-provoking, hilarious, and tricky ... it maintains a weird balance of pleasure and discomfort. It's smart, but also open in a way that experimental theater often isn't... she lets herself be as vulnerable as she asks her readers to be in thinking about difficult subjects. As a former English prof, I have to say that she's one of my favorite authors, along with Beckett, Melville, Nabokov, D.F. Wallace, etc. I keep going back to re-read her plays and I'm surprised every time.
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